ContentWise Blog

See You at a Summer Publishing Conference

$1,500 Discount to Stanford Course

Stanford Publishing Courses logoWe’ll be teaching again this July at the the Stanford Professional Publishing Course, an intensive and inspiring program for mid-career pros–and we’d love for you to join us. If you’ll
send us an e-mail to let us know that you’re interested, we’ll enter you in our random drawing for a $1,500 discount on the tuition.

Online Strategies for Magazines: Toronto Conference
On June 3 we’ll present a workshop at the Mags University Conference
in Toronto entitled, “Transcend Print! What Magazines Should Do
Online.” We’ll also be speaking on “editorial marketing” for print
publications and on how to write and edit for the Web. For descriptions
of the talks, please see the seminar schedule.

Web Site Tune-up: Educational Publishers Summit in DC
If you can’t catch us in Stanford or Toronto, we hope to see you at our “Web Site Tune-up” at the Association of Educational Publishers Summit
on June 4 in Washington, D.C. We’ll cover best practices in Web
publishing and we’ll conduct mini critiques of selected participants’
sites.

How to Write Text Links (Think Display Copy)

If your site uses a conventional, easily recognized visual scheme for text links—and it should—the words making up every link will stand out conspicuously. Highlighted in a distinctive color and with an underline, text links signal to the viewer that they are more important, urgent, and interactive than the rest of the words on the page.

In other words, online links have the same power that conventional display copy has in print. Given that power, Web writers and editors should give text links special consideration.

Keep text links concise—no more than two or three words, if possible.
Text links consisting of run-on phrases or whole sentences have no “pop.” If you’re highlighting nearly everything, then you’re really highlighting nothing. There is no visual signal to engage the typical Web user’s quickly scanning eye.

Here’s an example we found on a technology site. There are so many words in each link and the links are so crammed together that nothing stands out.

Scoop: Full review of the Slingbox Pro
Nifty new tech from DemoFall 2006
Video: Veronica vs. the blingy gold Razr
Roundup: Laptops of the future, today
Review: New Canon PowerShot A710 IS
Watch out for Mac Wi-Fi hijackers
Our 2006 Paris Auto Show preview
Sirius announces the Stiletto 100 portable

Below is a quick rewrite we did that narrows down the links to two or three words. (We also added underlining, so that users aren’t forced to mouse over the words to confirm that they are indeed links. And we threw in some bullets to separate the lines a bit.) The result: strong visual hooks that are easy to spot at a glance.

Choose your words wisely.
In print, you wouldn’t just turn any old phrase from an article into a headline or pull-quote. You’d craft it using clear, specific, informative terms. Apply the same strategy when creating text links.

In our rewrite above, the words we isolated for our brief links are concrete, high-interest words. Nouns that line up with the audience’s hot buttons are most effective.

And if possible, include verbs that explain or evoke the interactive experience that is triggered by the link. “Click,” as in “click here,” is not the sort of verb we’re talking about.

The best text links team up evocative verbs with concrete nouns, as in:

Video Explains “Automated Content Creation”

A few weeks ago we wrote about Philip Parker’s computer-assisted creation of 200,000 different books in highly esoteric niches. We just came across his video explanation of the process, which he calls "automated content creation." See below.

Podcasting Explained, in Plain English

Need to explain podcasting to your mother? Or maybe just get a better grip on the concept yourself? Check out this entertaining little video.

It’s from our favorite demystify-ers of Web technologies, the folks at Common Craft. Lee and Sachi LeFever, we thank you.

Computer-Generated Books, First in a Long Line of “Pub Apps”

Outlook_bathmats250_4
Here’s an intriguing (bizarre? scary?) new twist in publishing: books created by computer algorithm.

Entrepreneur and management science professor Philip M. Parker has "automatically" generated more than 200,000 books with the help of 60 or so computers and a half dozen programmers. Most cover arcane, under served topics such as the market outlook for small bath mats in China. And Parker is selling them through Amazon’s print-on-demand book service, BookSurge.

Parker’s titles sell only dozens or in some cases hundreds of copies. But as today’s New York Times report suggests, that could be a viable business model:

"His company, the Icon Group International, is the long tail of the bell
curve come to life — generating significant total sales by adding up
tens of thousands of what might be called worst sellers."

We hereby declare a new category of coverage in this blog—"Pub Apps"—to track such digital techniques, widgets, and applications. Somewhere in the never-ending stream of these innovative curiosities are sure to be ideas that will help shape the future of publishing.

Observer’s Politicker.com: An Online Extension Into 50 States

Politicker logoHere’s an ambitious online extension of a print operation: Observer Media Group, parent company of the New York Observer, has embarked on a plan to cover local politics through a network of Web sites in all 50 states.

Politicker.com (“inside politics for political insiders”) now has 10 sites up and running–PolitickerNJ.com, PolitickerME.com, etc.–and will be adding more soon.

As Politicker’s management told the New York Times, each state “bureau” will be a typically lean Web operation relying primarily on one or two reporters:

“[Managing Editor James] Pindell will hire young journalists, send them to state capitals
with little more than a laptop and a BlackBerry, and let them build
each state site.

“What the young reporters lack in experience, they make up for in passion about politics…”

Each Politicker site describes itself as “a virtual watercooler for the state’s political elite…a necessary daily
stop for politically minded web surfers.”

Will a big enough audience–and advertising market–gather around this watercooler? It will be interesting to watch.

Nine Steps to a Successful Website Redesign

1. Read the tea leaves | 2. Set goals | 3. Get the big buy-in | 4. Spin off a SWAT team
5. Write it down | 6. Check in | 7. Test | 8. Revise & repeat | 9. Explain & sell

Update: Download Michael’s presentation on website redesign from the MagsU conference on June 1, 2009. Slides include samples of a “spec doc” and a mockup for communicating ideas to designers and developers.

When we’re facing a Web site redesign, two images come to mind: a minefield—the political kind—and a pack of runaway horses. If you’ve been through a site redesign, particularly if you’ve helped lead the effort, you understand. It doesn’t have to be that way. Below are nine steps to help you plan a bang-up new site with relatively little bloodshed. This is not about tapping into creative inspiration. We’re talking tactics to navigate around the explosives, and prods to get the stampede headed in a productive direction.

1. READ THE TEA LEAVES

Before you set off, find out where you are. What’s popular on your site, where do people come in and where do they leave from, how long do they linger, what puzzles or frustrates them, which features can they live without, and what would they like instead? Pore over site analytics, search logs, and past market research. Then order up as many new studies as you can justify: user testing, Web-based and phone surveys, field studies, interviews, and expert analyses.

2. SET GOALS

Next, decide which broad, top-line changes and improvements you’d like to focus on. You won’t get into details until much later.

3. GET THE BIG BUY-IN

It’s impossible to reinvent a Web site with a large group of “stakeholders,” as the euphemism goes, but it’s critical to invite these folks to a big meeting early on. Include everyone who might want to have a say or could make your life miserable later if he or she were to feel left out.

At the meeting:

  • Revisit and confirm the site’s basic business and content strategies.
  • Summarize your research and analysis.
  • Outline your preliminary proposals for the redesign.
  • Invite reactions and suggestions.
  • Listen, discuss, and encourage venting.
  • Get consensus on top-level directions.
  • Sketch out the process ahead so stakeholders can see how they fit in.
  • Tell them how you’ll keep them in the loop.

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4. SPIN OFF A SWAT TEAM

To do the real nuts-and-bolts work, you need an agile, action-oriented group—say, three to six people with a variety of skills (editorial, design, interactive) who are authorized to make decisions. Over one to three months, this group should meet regularly to discuss, brainstorm, and decide what’s changing and how. Here’s your agenda:

Background and big picture: What’s driving the re-design, what are your strategic goals, and how will you measure success? How does the intended audience for the re-designed site compare with current users? How will the site be positioned in the competitive landscape? Do you want to alter the tone, personality, and look and feel? Are there any overarching usability concerns that you’ll need to deal with? How will issues of advertising and subscription affect your plans? Most importantly, what will the site do for the users? What are the critical, defining elements of information and functionality?

Site description: Sketch out the new site’s organization and navigation. Describe how the home page will showcase the new site’s mission, personality, and high-priority content and features. For each major “channel” or navigational area, describe the “start page” and the key components of content and tools that flow from it. Define the visual approach. Formulate guidelines for the presentation of advertising, if that’s relevant. And in every one of these realms, make clear what you want to keep, drop, improve on, and create from scratch.

Functional requirements and technical concerns: Are you inventing a handy new “power tool?” Will the redesigned site need to tap into your organization’s membership management system? Keep a special list of any such elements that have consequences for the technical underpinnings of your new site. Consider also what improvements you’d like to see in your content management system.

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5. WRITE IT DOWN & MOCK IT UP

The act of writing forces you to try on your ideas and to be clear about them. But here’s the real reason this is critical: You need a lucid, comprehensive plan that everyone can react to and refer to as the redesign moves forward.

We’ve found that an internal wiki—a set of online pages that anyone can edit and add to, during SWAT meetings as well as later—can make the creation of this document a lot easier. We call it the redesign blueprint.

Your blueprint should include conceptual mockups of high-level pages and important tools. Pencil sketches, crude diagrams within word processing documents, or simple representations created with an Illustrator-like program—these will work just fine.

6. CHECK IN

Present your detailed blueprint to the stakeholders and collect feedback. Then confirm everyone’s buy-in.

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7. TEST

Now it’s time to check with the crowd that really matters: your audience. At this stage you’ll have to create more compelling mockups, though they could still be on paper. In individual interviews, get reactions to the most important or radically different aspects of the new site. Set up user tests, in which people “drive” paper prototypes, wire frames, or early “builds” of Web pages. And consider online A/B testing of selected elements. That means randomly steering some of your site visitors to new pages or new sections of the site and comparing their behavior with that of users who are sent to the current versions.

8. REVISE & REPEAT STEPS 5 TO 8

Depending on audience reactions, you may want to modify your plan. Mock up the revisions, check in again with the powers-that-be (or, if the changes are minor, just inform them), and test the modifications again with users (if you can afford the time and expense). Depending on what you learn, you may or may not go around the loop again.

9. EXPLAIN & SELL

It’s hard to imagine, but once the redesign is built and launched, visitors might not necessarily get what’s so “improved” about this new and improved site.

Explain it to them in as many friendly and conspicuous ways as you can invent. Put an eye-catching “wrapper” on one corner of the home page, the way ConsumerReports.org did last year, announcing, “We’ve redesigned! Take a look at what’s new.” (See a screen shot of this.) Concoct annotated pages (see another screen shot), guided tours, and video demos that show how the site works and call attention to the irresistible new benefits to users.

At this point you probably wouldn’t mind a stampede—as long as it’s headed toward your site.

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Glimpses of the Future of Publishing

Industry Standard predictionsFour stories surfaced in the last week or so that suggest some answers to that nagging question in our industry: What is the Future of Publishing?

Squint, and you might see the vague outlines of what magazines and books may turn into in this increasingly multi-platform world.

1. The Industry Standard is back—with an online betting pool.

The magazine that
chronicled the Internet explosion and then fizzled along with it in 2001 has been reborn, not in print but on the Web only. Its centerpiece is a prediction market, using ersatz “Standard Dollars,” that aims to tap the wisdom of the Standard’s crowd of expert readers and commentators.

If the market becomes a reliable trend-spotter for the tech industry, this could be a killer app. True, that’s a big “if.” Whatever happens, we think it’s a creative attempt at an online extension for a brand that many believed had petered out. (Check out PPX, another magazine-related prediction market, at Popular Science’s site; it covers “the future of science and technology.” Simon & Schuster set up its own market, Media Predict, to spot ideas for books, recordings, and other media products that are likely to succeed; we wrote about it last year.)

More details on the Industry Standard’s market and comments from Derek Butcher, vice president and general manager, are at Tech Crunch and the New York Times.

2. Here comes a unified, multi-platform book delivery system.

Writing about Amazon’s plans to purchase Audible, Brad Stone at Bits thinks this is a real possibility:

“How about a service that allows you to seamlessly switch from reading a book on your digital device to listening to the same book read aloud as you get in the car, or if your eyes are tired, or if you simply want to hear a crucial scene acted out? And then switch back to the printed page?”

3. Cell phones are reading magazines.

Wired, Billboard, and Car and Driver have all recently published bar codes within the pages of their magazines in an effort to kick start their “mobile initiatives.” Why? It’s much easier to get cell phone users to tune in to related material if they don’t have to manually type in those pesky Web addresses. Car and Driver’s efforts are among the most ambitious so far, as Joanna Pettas reports at FolioMag.com:

Car and Driver published more than 400 barcodes in its annual Buyer’s
Guide in late December. Each car in the guide had a corresponding
barcode linking to a microsite with pictures, reviews and a link to the
full road test…”

4. And now, a platform to publish physical objects.

Three-dimensional printers—something in the neighborhood of Star Trek’s transporter or replicator—have been used for a while now by aerospace and race car engineers, doctors, and artists. So reports materials scientist Mark
Miodownik
in the Independent.

As the technology continues to grow more sophisticated, it’s not hard to envision the emergence of companies that enable their customers to “print out” a whole variety of physical objects: call them 3-D publishers. All right, maybe you have to squint a little harder to see it. But that’s what they told Gutenberg, isn’t it?

Consumer Reports Thrives Online

Consumer Reports logo
Consumer Reports
, one of our designated Transcendent 10 publishers, just got some nice ink in the New York Times business section. CR has extended its brand into  a compelling online resource, complete with interactive product selectors and entertaining, ad-debunking videos.

According to the Times’s article:

…it has three million paying subscribers online–up about 60 percent in the last 18 months–which experts say may be the largest number in the industry.

Tagging & Social Bookmarking Explained

Tagging and social bookmarking are handy tools that enable users to re-organize the Web for their personal use. They also provide an effective way for publishers to tap into the Web’s viral marketing power.

But for people who don’t already do social bookmarking and don’t know about services such as del.icio.us, tagging can be a tough concept to grasp. Here’s a simple, straightforward explanation in the form of a low-tech video from the folks at Common Craft Productions.

Common Craft also has great quick-and-dirty videos that demystify RSS feeds, blogging, and other key elements of Web publishing.